To set the tone, issue #1 starts off with a visual pun. Above a P.O.V. drawing of a menstruating woman (blood squirting out of her like ketchup), is her speech bubble which states "This comic is for anyone who's been busted for obscenity...PERIOD!!!". And at the base of the page is a quote from J.G. Ballard: "In a sense, pornography is the most political form of fiction, dealing with how we use and exploit each other in the most urgent and ruthless ways".
We then have a one page strip which uses the 3 panel format to send-up sex in the '70s, '80s and '90s with a gag and comparison for each, showing how attitudes change with the times and fashions.
'Career Girls' is a pervy 2-pager which kind of makes a point about the lengths some people will go to look good in the hopes of furthering their career, whilst catering for a niche fetish at the same time.
'Master Race Theatre' features Adolf Hitler as the frustrated and compromising artist, with his aryan muse, who get's truly inspired to paint his 'masterpience' once they get it on and he goes down south... Funny visual pay-off gag to this one.
The first story includes Jay Jazz posing as an alpha-male jock to pick up a girl at the bar ("Girls go for douche bags, you think I cruise for trim looking like a jazznik?" exclaims jay), Hesh then follows him home to spy & learn more about his technique of 'sealing the deal'. Let's just say his methods are unconventional.
In the second Hesh comic, our protagonist is prematurely awoken from his best and most erotic dream ever (see below), but when he tries to go back to sleep and get back to where he left off, he gets another sexual dream instead, but not one he bargained for!
The third story revolves around a Stag Party put on by Jay Jazz.
Hesh, dons his ceremonial fez, drinks cocktails with the bachelor members of C.A.D. (Courteous Advocates of Debauchery), before meeting the evening's entertainment (a bukkake Barbarella), and Hesh having to undergo a humiliating forfeit (sending up male fraternal peer groups, and their weird customs).
The final two Hesh & Friends strips introduce a new recurring female character 'Ronnie'; a pretentious, posh & flakey arty-hipster type, who is up for a kinky good time, who the cringing Hesh finds scary and weird but is also attracted too.
More Pathos ensues for poor ol' Hesh, but the opportunistic Jay Jazz is in like Flynn, ready to accomodate Ronnie's weird sexual requests.
Other strips include 'A Brief History Of Feminism', 'Per-Mission Impossible' (an ironic strip looking at how over-consideration, procrastination, and too much sensitivity mixed with liberal male guilt, can be a turn-off for women.) 'Post Racial Romance', 'What Women Think About', Nietzsche In Love' & 'Cocktail Party'.
As for issue #2 of Romp, there's loads more Hesh and friends, 'World War Blue'; another short gag strip at Hitler's expense, the very funny colour back cover 'Clownin' Around' (depicting clowns having group hardcore sex), and the epic 20 page "Hey, do you wanna..."; A playful, rhyming comic where a myriad of different women ask the reader if they wish to partake in their particular kink.
If you don't have a kneejerk reaction to it's use of taboos, pornography, and piss-taking of various mindsets & stereotypes, and don't take any of it too seriously, then Romp is very enjoyable and manages to pull off within it's pages what most sex comics fail at.
In fact, I could be wrong here, but I think this comic's real purpose is for us all to laugh at ourselves, and the absurdity of it all, as well as the artist getting to indulge his visual fetishes, draw women, and express his thoughts in humourous ways and inject some wit and out-there ideas. It may be from an unapologetic male voyeuristic perspective, yet under the hip, tough bravado, there's a deviant angle to it all, and a sense of frankness and fun.
Romp certainly won't be for everyone. The sexually conservative and prudish would do well to avoid it which probably goes without saying, as would the easily rattled on the more liberal and radical feminist end of the spectrum. It's not a manifesto for all kinds of sexual, multi-sexual, or polyamorous liberation; it's a comic that primarily deals with a male fantasy viewpoint, and one artist's world view, with a bit of weirdness, fetish and alternative lifestyles thrown in, mostly for comedic effect. The self-centred Ronnie is the only female character who really has personality out all the female characters, although some of the other female characters get some good one liners. It's easy to see why Robert Crumb is a fan, because he is probably the nearest comparison I can think of in terms of content and intent; putting his thoughts, kinks and visual fantasies out there, and critiscising that which he sees as hypocritical, ironic or absurd in liberalism and feminism (not just the uptight right). The criticisms of feminism and liberalism by Lange seem pretty minor though, in case you're thinking he's Rush Limbaugh or something. Comparisons could be made to Rick Altergott and early Ivan Brunetti or Johnny Ryan too in terms of tone, but Aaron certainly doesn't feel like an imitator.
In fact, as a cartoonist, Lange is top draw, and I'm really surprised he hasn't been picked up by a major publisher by now. Romp #3 is now out too, which I haven't yet read. And he will soon have a new comic, 'Trim' coming out soon which I'm looking forward to.
You, can buy them, and other great comics, from the publisher (Dexter Cockburn's The Comix Company) here: http://thecomixcompany.ecrater.com/c/1133573/underground-comix